“No, I mean, I like being here all right, but I don't like it for its looks from this spot in particular. Just on this island in particular, I'd rather be among the trees so that instead of just green you get different kinds of bark on the trees, and lots of other plants and stuff.”
“Well, yes, uninhabited islands are no place to be visiting without a radio. If you're hiding the rest of you somewhere on the other side of the island or something, then I guess that's fine and I'll leave you be. But it looks like you could be in a lot of trouble and I don't want to leave a person to starve or something.”
“Your kortarem, the matter that is you and is not your body.”
The glass-plane-bird-people-person are quite sufficiently distracted that they aren't practicing their symmetry very much. The one in the middle, who is still speaking, demonstratively waves a white glass wing — which becomes transparent, loses its shape, and falls to the rock in a gloopy kind of way, leaving behind a human arm.
The rest of the glass follows, and there is a perfectly ordinary human being standing between two glass plane bird people. Still looking confused about why this maybe-stranded-or-something-stranger person is confused.
(If he thought it was a reasonable option, he would be trying to talk to her parents, but he doesn't especially want to try asking for them. This is either a child playing make-believe really hard, or a child raised in isolation and not being taught how to live. The first does no harm to go along with for a while, and the second is a problem that needs fixing.)
“Sure! The first thing is, um—”
(He needs a lesson plan, doesn't he. He doesn't exactly remember how this was explained to him all those years ago. Compose reference request; subjects: kored & (parenting | primary education); format: split attention-friendly; preparation if needed: yes; urgent: yes; transmit. He'll live with someone maybe asking why he needed it. Later.)
“Do you have any tools with you? I mean, things that you hold in your hand, to do things with? I can give you something if you need it, but something you're familiar with using is better to start with.”
“—I don't see why not,” he says, a little dubiously. “The usual sort of tool would be a thing you use to move other stuff that already exists separately, like a fork or a hammer. But it's more important that you are familiar with using it.”
“Okay, so what you need to do is use it, write with it. Then try to forget it exists. You're not writing with a pencil, you're writing on the paper. Because you are writing on the paper, you can feel the texture of the paper.”
A portion of the previously gloopy glass lying around (which has neglected to gloop any farther downhill) pops up into his hand and forms itself into a flat rounded rectangle, also turning milky white again, and he hands it to her. It proves to have a rough surface, like frosted glass. “Paper would be better, because you're familiar with how it feels and it has a little more texture, but this should do.”
He glances around. “And you need somewhere to sit down, don't you.”
More glass moves. Now there is: a patch of rock covered in clear glass, a chair seat formed of thousands of little glass tiles hovering above it, and a child's-height desk, also lacking in legs.
“Would you like shade? Or we could move into the forest, or go somewhere else, if you prefer. We’re going to be working on this for a while.”
More glass! Mirrored! Also, formed into a bowl shape. And some kind of machine floating above the bowl. Whatever all that's about, there's certainly shade under it.
Presumably realizing an explanation is needed: “Might as well collect the sunlight if we're going to bother stopping it. You'll want to learn this too.”
(This is all out of order, isn't it. Hurry up, lesson plan.)
“I don't know how long it's going to take you — usually children are taught how to try early and they get it as soon as they're practiced enough.”
It is considerably more comfortable than your typical glass chair. The individual tiles squish down like there's padding behind them.
“Well, give it a try, then.”
(He hopes she doesn't have entirely unreasonable success and, say, accidentally stab herself in the eye with the pencil. Most children are protected, but he doesn't know what's going on here and if she isn't it would be still be completely inappropriate for him to do it, regardless.)
(Oh, hey, there's that material on teaching basic life skills why is he having to do this he asked for. What does it say?)
He's still just watching, but now he knows what he's looking for.
(This is an unprecedented situation, but there ought to be something she will be able to notice and improve directly after at most twenty minutes more, and likely less if she's good at focusing on the work. He'd say so, but that would be a distraction.)
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They might also be looking at her like there's something strange about her. Other than not being three glass plane bird people.
“Do you need any help?”
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"I don't know what you're talking about."
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The glass-plane-bird-people-person are quite sufficiently distracted that they aren't practicing their symmetry very much. The one in the middle, who is still speaking, demonstratively waves a white glass wing — which becomes transparent, loses its shape, and falls to the rock in a gloopy kind of way, leaving behind a human arm.
The rest of the glass follows, and there is a perfectly ordinary human being standing between two glass plane bird people. Still looking confused about why this maybe-stranded-or-something-stranger person is confused.
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"I don't have any of that. Will you please explain how it works?"
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“Sure! The first thing is, um—”
(He needs a lesson plan, doesn't he. He doesn't exactly remember how this was explained to him all those years ago. Compose reference request; subjects: kored & (parenting | primary education); format: split attention-friendly; preparation if needed: yes; urgent: yes; transmit. He'll live with someone maybe asking why he needed it. Later.)
“Do you have any tools with you? I mean, things that you hold in your hand, to do things with? I can give you something if you need it, but something you're familiar with using is better to start with.”
(He is so not qualified for this.)
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"I don't have any paper."
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He glances around. “And you need somewhere to sit down, don't you.”
More glass moves. Now there is: a patch of rock covered in clear glass, a chair seat formed of thousands of little glass tiles hovering above it, and a child's-height desk, also lacking in legs.
“Would you like shade? Or we could move into the forest, or go somewhere else, if you prefer. We’re going to be working on this for a while.”
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Presumably realizing an explanation is needed: “Might as well collect the sunlight if we're going to bother stopping it. You'll want to learn this too.”
(This is all out of order, isn't it. Hurry up, lesson plan.)
“I don't know how long it's going to take you — usually children are taught how to try early and they get it as soon as they're practiced enough.”
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“Well, give it a try, then.”
(He hopes she doesn't have entirely unreasonable success and, say, accidentally stab herself in the eye with the pencil. Most children are protected, but he doesn't know what's going on here and if she isn't it would be still be completely inappropriate for him to do it, regardless.)
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(Oh, hey, there's that material on teaching basic life skills why is he having to do this he asked for. What does it say?)
He's still just watching, but now he knows what he's looking for.
(This is an unprecedented situation, but there ought to be something she will be able to notice and improve directly after at most twenty minutes more, and likely less if she's good at focusing on the work. He'd say so, but that would be a distraction.)
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