Alisyrrabel | "Promise" (
imeanforever) wrote in
alicornutopia2016-01-20 02:45 pm
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Entry tags:
blood sweat tear
He's moving her to a different court to see if it'll improve her attitude. She's allowed to fly. It's been a long, long time since she was allowed to -
She is only allowed to fly to her destination, not anywhere else. She notices that she is not where she should be, that she cannot progress to where she was told to go, and she careens out of control when her wings won't flap anymore, and she crashes.
---
with Miles (kappa)
with Minus (kappa)
She is only allowed to fly to her destination, not anywhere else. She notices that she is not where she should be, that she cannot progress to where she was told to go, and she careens out of control when her wings won't flap anymore, and she crashes.
---
with Miles (kappa)
with Minus (kappa)
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Once again - she varies the words slightly, but hardly at all - Castle invites a pawn to discuss its life choices.
All the images are the same at first, down to Tea's vague shadow, but when Castle asks the pawn for its decision it fairly leaps to obey. Sparks rise from the queen, the bishop, and the knight; the queen doesn't offer him more than an indistinct glimmer, but the bishop's light forms an open book floating before him with an arrow engraved on its cover, and the knight's glow becomes a radiant aura depicting him as an armoured figure on a horse.
Castle thanks the pawn for its input. Everything fades.
"Bishop as book, amusingly enough, with a solid hint of arrow," she says. "And a very versatile and open-ended reading of knight. I'd be tempted to summarize it to knight-as-champion, but that's not quite it. You could take queen if you had to but it's pretty firmly a third option, and with such a void of response from the rook in an otherwise lively pawn promotion I tend to conclude you'd be fairly hopeless in that role."
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The pieces of this one are a dark red wood on one side and a pale brown-beige wood on the other, and the case unfolds into a chessboard in the same theme. She sets up the pieces as though to start a game. Rook, knight, bishop, queen, king, bishop, knight, rook, then a row of pawns, then the same thing on the opposite side.
"Each side gets to move one piece one valid move per turn, then it's the other side's turn. Pawns can move a single step ahead, or two steps if it's that pawn's first move of the game," she explains, demonstrating these capacities on the board. "They capture other pieces with a single diagonal step, like this," and she has one side's advance pawn capture the other's.
"Rooks can move in orthogonal straight lines, any number of steps." She demonstrates the motion of a rook. "Bishops do diagonal straight lines, any number of steps." A bishop sneaks out of its enclosure and darts across the board. "Knights jump, like this." The knight hops around the board. "Always in the same pattern, a combination of two orthogonal steps along one axis and one orthogonal step along the other. Then the queen can move any number of steps in any straight line." She demonstrates the movement of the queen.
"And the king can move a single step at a time in any direction. Except for the pawn, all other pieces capture the same way they move. The objective of the game is to capture the other side's king, but by convention the game is declared over as soon as it's observably impossible for the losing side's king to escape capture, or if the board gets into a state where neither side can effectively win. The actual king-capturing move is never carried out."
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